The festival’s sound system, anchored by L-Acoustics K2 delivered bone-rattling bass and crystal-clear highs. SB18 subs as side fills and ground-shaking KS28s ensured that every beat was felt as much as heard. At the nerve center, a pair of DiGiCo Quantum consoles (a 338 at FOH and a 225 for monitors) gave Sam Cook and Huw Clee the power to shape sonic landscapes. The mic arsenal included Shure classics, DPAs for instruments, and cutting-edge Shure Axients.
The festival’s visual spectacle reached new heights with the addition of pyrotechnics, CO2 jets, and a dazzling array of 10 RGB lasers. The Grade I listed Chillington Hall itself became a canvas, illuminated by Ayrton Perseo Profiles and Ayrton Cobras creating a surreal backdrop for the festivities. The house was also projection mapped with 2 Barco UDM projectors.