CPL, commissioned by Pandora Events to manage the full technical production of the festival, delivered a sophisticated audio visual production that elevated the festival experience. The centerpiece was a 15-meter Super Roof stage, flanked by two LED IMAG screens constructed from Roe CB5 panels. These screens served as dynamic visual elements, displaying captivating graphics and live footage from a five-camera system
The lighting rig was a spectacle in itself, featuring 72 moving lights that turned night into day. A mix of Arton Cobra’s, Arton Perseo’s and Ayrton Rivales carved through the air with razor-sharp beams, and bathed the crowd in waves of colour. Ayrton Perseos units pulled double duty, serving up both beams and effects. For added punch, 16 Strike Array blinders seared retinas, and four Portman P1s provided the eye candy. This arsenal of illumination was controlled by a Avolites console, with Ed Alford and Steve Thurkettle at the helm.